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Still life of fruit — Adriaen van Utrecht

Still life of fruit (1651)

Adriaen van Utrecht

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1652)

SPECIFICATIONS

Artist
Adriaen van Utrecht
Category
Still Life
Year
1651
Nationality / school
Flemish
Lifespan
1599–1652
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Still life of fruit" (1651) is a work by Adriaen van Utrecht. Background on Still Life: Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. About the period around 1651: In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. In the Dutch Republic, a prosperous middle-class market supported landscapes, still lifes, portraits, and scenes of daily life painted at a modest scale for the home. It is listed in the Still Life collection. The image is in landscape orientation.

"Still life of fruit" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Still life works are appreciated for their intimacy and rich surface detail, which makes them especially suited to dining rooms, kitchens, studies, and other quieter parts of the home. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

Flemish, 1599–1652

If you like the visual language of Adriaen van Utrecht, explore more works by the same artist in our collection.

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