Skip to main content
ONLLY.art
Still Life with Fruit and a Monkey eating Grapes — Adriaen van Utrecht

Still Life with Fruit and a Monkey eating Grapes (1635)

Adriaen van Utrecht

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1652)

SPECIFICATIONS

Artist
Adriaen van Utrecht
Category
Still Life
Year
1635
Nationality / school
Flemish
Lifespan
1599–1652
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1635, "Still Life with Fruit and a Monkey eating Grapes" is an artwork by Adriaen van Utrecht. Still Life in brief: Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. About the period around 1635: In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. In the Dutch Republic, a prosperous middle-class market supported landscapes, still lifes, portraits, and scenes of daily life painted at a modest scale for the home. The catalogue places it in Still Life. The format is landscape.

On onlly.art "Still Life with Fruit and a Monkey eating Grapes" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Flemish, 1599–1652

If you like the visual language of Adriaen van Utrecht, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

YOU MAY ALSO LIKE