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Zwarte zee-eend (Melanitta nigra) — Anselmus Boëtius de Boodt

Zwarte zee-eend (Melanitta nigra) (1596-1610)

Anselmus Boëtius de Boodt

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1632)

SPECIFICATIONS

Artist
Anselmus Boëtius de Boodt
Category
Plants & Animals
Year
1596-1610
Nationality / school
Flemish
Lifespan
1550–1632
Orientation
Square
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1596-1610, "Zwarte zee-eend (Melanitta nigra)" is an artwork by Anselmus Boëtius de Boodt. Context for 1596-1610: Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. The Protestant Reformation changed how religious imagery was commissioned in northern Europe, while Venetian painters made rich colour and brushwork a central concern. Plants & Animals, a short history: Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. It is listed in the Plants & Animals collection. The image is in square orientation.

Buying "Zwarte zee-eend (Melanitta nigra)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A square format is flexible and works well on its own or as part of a grid on a gallery wall. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

Flemish, 1550–1632

If you like the visual language of Anselmus Boëtius de Boodt, explore more works by the same artist in our collection.

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