Women at the Harbour (1923)

Eugeen Van Mieghem is the artist behind "Women at the Harbour", dated 1923. Context for 1923: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Figurative in brief: Over the centuries, painters have used the figure to express social standing, narrative, and emotion. Figurative art depicts people and recognisable scenes, and it has been central to European painting since antiquity. The catalogue places it in Figurative. The format is landscape.

Buying "Women at the Harbour" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

Belgian, 1875–1930

If you like the visual language of Eugeen Van Mieghem, explore more works by the same artist in our collection.