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Woman with water pots — Utagawa Kunisada (Toyokuni III)

Woman with water pots (1850)

Utagawa Kunisada (Toyokuni III)

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1865)

SPECIFICATIONS

Artist
Utagawa Kunisada (Toyokuni III)
Category
Illustration
Year
1850
Nationality / school
Japanese
Lifespan
1786–1865
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Woman with water pots" (1850) is a work by Utagawa Kunisada (Toyokuni III). Context for 1850: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. Illustration in brief: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. It is listed in the Illustration collection. The image is in landscape orientation.

Buying "Woman with water pots" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Japanese, 1786–1865

If you like the visual language of Utagawa Kunisada (Toyokuni III), explore more works by the same artist in our collection.

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