

We've all got to retrench! (1893)
Frederick Burr OpperFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1937)
SPECIFICATIONS
- Artist
- Frederick Burr Opper
- Category
- Illustration
- Year
- 1893
- Nationality / school
- American
- Lifespan
- 1857–1937
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Frederick Burr Opper is the artist behind "We've all got to retrench!", dated 1893. Historical background, 1893: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. It is listed in the Illustration collection. The image is in landscape orientation. Illustration, a short history: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters.
Buying "We've all got to retrench!" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
American, 1857–1937
If you like the visual language of Frederick Burr Opper, explore more works by the same artist in our collection.






