

Unai no tomo Pl. 234 (1913)
Shimizu SeifūFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1913)
SPECIFICATIONS
- Artist
- Shimizu Seifū
- Category
- Illustration
- Year
- 1913
- Nationality / school
- Japanese
- Lifespan
- 1851–1913
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1913, "Unai no tomo Pl. 234" is an artwork by Shimizu Seifū. The catalogue places it in Illustration. The format is portrait. Background on Illustration: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Context for 1913: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s.
Buying "Unai no tomo Pl. 234" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
Japanese, 1851–1913
If you like the visual language of Shimizu Seifū, explore more works by the same artist in our collection.






