

Tree with Vines, Jamaica, West Indies (1865)
Frederic Edwin ChurchFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1900)
SPECIFICATIONS
- Artist
- Frederic Edwin Church
- Category
- Landscape
- Year
- 1865
- Nationality / school
- American
- Lifespan
- 1826–1900
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
This page presents "Tree with Vines, Jamaica, West Indies" (1865), created by Frederic Edwin Church. It is listed in the Landscape collection. The image is in portrait orientation. Landscape in brief: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Painters have used landscape to study light, weather, season, and the relation between people and place. Historical background, 1865: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form.
"Tree with Vines, Jamaica, West Indies" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
American, 1826–1900
If you like the visual language of Frederic Edwin Church, explore more works by the same artist in our collection.






