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Three horses harnessed one behind the other — Piotr Michałowski

Three horses harnessed one behind the other (1845-1848)

Piotr Michałowski

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1855)

SPECIFICATIONS

Artist
Piotr Michałowski
Category
Plants & Animals
Year
1845-1848
Nationality / school
Polish
Lifespan
1800–1855
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1845-1848, "Three horses harnessed one behind the other" is an artwork by Piotr Michałowski. Historical background, 1845-1848: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. The catalogue places it in Plants & Animals. The format is landscape. Background on Plants & Animals: Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries. Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna.

Buying "Three horses harnessed one behind the other" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Polish, 1800–1855

If you like the visual language of Piotr Michałowski, explore more works by the same artist in our collection.

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