

This, boys, is the largest weak-fish ever kept alive in captivity (1916)
William Henry WalkerFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1938)
SPECIFICATIONS
- Artist
- William Henry Walker
- Category
- Illustration
- Year
- 1916
- Nationality / school
- American
- Lifespan
- 1871–1938
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1916, "This, boys, is the largest weak-fish ever kept alive in captivity" is an artwork by William Henry Walker. Historical background, 1916: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Illustration, a short history: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. It is listed in the Illustration collection. The image is in portrait orientation.
Buying "This, boys, is the largest weak-fish ever kept alive in captivity" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
American, 1871–1938
If you like the visual language of William Henry Walker, explore more works by the same artist in our collection.






