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The Return of David: Widow O'Mine — Mary Merrill

The Return of David: Widow O'Mine (1934-1943)

Mary Merrill

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

SPECIFICATIONS

Artist
Mary Merrill
Category
Illustration
Year
1934-1943
Nationality / school
American
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"The Return of David: Widow O'Mine" (1934-1943) is a work by Mary Merrill. Context for 1934-1943: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. It is listed in the Illustration collection. The image is in portrait orientation. Illustration, a short history: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked.

Everything for "The Return of David: Widow O'Mine" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

American

If you like the visual language of Mary Merrill, explore more works by the same artist in our collection.

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