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The man who came to dinner. — Edmund Siegfried Valtman

The man who came to dinner. (1979)

Edmund Siegfried Valtman

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

SPECIFICATIONS

Artist
Edmund Siegfried Valtman
Category
Illustration
Year
1979
Nationality / school
Estonian
Lifespan
1914–2005
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "The man who came to dinner." (1979), created by Edmund Siegfried Valtman. The catalogue places it in Illustration. The format is landscape. Background on Illustration: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Historical background, 1979: After 1945 the centre of Western art activity shifted to New York, where Abstract Expressionism was followed by Pop art, Minimalism, and Conceptual art. The range of materials widened to include acrylic paint, screen printing, and mixed media.

Buying "The man who came to dinner." means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Estonian, 1914–2005

If you like the visual language of Edmund Siegfried Valtman, explore more works by the same artist in our collection.

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