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The Falls of St. Anthony — Seth Eastman

The Falls of St. Anthony (1848)

Seth Eastman

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1875)

SPECIFICATIONS

Artist
Seth Eastman
Category
Landscape
Year
1848
Nationality / school
American
Lifespan
1808–1875
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Seth Eastman is the artist behind "The Falls of St. Anthony", dated 1848. About the period around 1848: The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. It is listed in the Landscape collection. The image is in landscape orientation. Landscape, a short history: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism.

Buying "The Falls of St. Anthony" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

American, 1808–1875

If you like the visual language of Seth Eastman, explore more works by the same artist in our collection.

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