The Fall of Ninevah (1829)

This page presents "The Fall of Ninevah" (1829), created by John Martin. Context for 1829: The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. The catalogue places it in Religion. The format is landscape. Religion, a short history: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own.

Everything for "The Fall of Ninevah" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

English, 1789–1854

If you like the visual language of John Martin, explore more works by the same artist in our collection.