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The Annunciation and Expulsion from Paradise — Giovanni di Paolo

The Annunciation and Expulsion from Paradise (c. 1435)

Giovanni di Paolo

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1482)

SPECIFICATIONS

Artist
Giovanni di Paolo
Category
Religion
Year
c. 1435
Nationality / school
Italian
Lifespan
1403–1482
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated c. 1435, "The Annunciation and Expulsion from Paradise" is an artwork by Giovanni di Paolo. The catalogue places it in Religion. The format is landscape. Background on Religion: Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Context for c. 1435: The fifteenth century saw the early Renaissance in Italy and the rise of the early Netherlandish painters in the north, when oil paint, linear perspective, and close observation of nature reshaped European painting. Printing with movable type spread across Europe in these decades, and woodcuts and engravings began to circulate images far more widely than hand-painted work ever could.

On onlly.art "The Annunciation and Expulsion from Paradise" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

Italian, 1403–1482

If you like the visual language of Giovanni di Paolo, explore more works by the same artist in our collection.

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