Skip to main content
ONLLY.art
Secunda ossium tabula [Human skeleton inspecting a skull and in deep thinking] — Thomas Geminus

Secunda ossium tabula [Human skeleton inspecting a skull and in deep thinking] (1545)

Thomas Geminus

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1562)

SPECIFICATIONS

Artist
Thomas Geminus
Category
Illustration
Year
1545
Nationality / school
Flemish
Lifespan
1510–1562
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1545, "Secunda ossium tabula [Human skeleton inspecting a skull and in deep thinking]" is an artwork by Thomas Geminus. Context for 1545: Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. The Protestant Reformation changed how religious imagery was commissioned in northern Europe, while Venetian painters made rich colour and brushwork a central concern. Background on Illustration: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The catalogue places it in Illustration. The format is portrait.

Buying "Secunda ossium tabula [Human skeleton inspecting a skull and in deep thinking]" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.

ABOUT THE ARTIST

Flemish, 1510–1562

If you like the visual language of Thomas Geminus, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

YOU MAY ALSO LIKE