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Seated Soldier with Shield and Two Other Figures — Salvator Rosa

Seated Soldier with Shield and Two Other Figures (1656 - 1657)

Salvator Rosa

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1673)

SPECIFICATIONS

Artist
Salvator Rosa
Category
Drawings
Year
1656 - 1657
Nationality / school
Italian
Lifespan
1615–1673
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1656 - 1657, "Seated Soldier with Shield and Two Other Figures" is an artwork by Salvator Rosa. Background on Drawings: Drawings range from quick preparatory sketches to finished works in pen, chalk, charcoal, graphite, or wash. Because line carries so much of the effect, drawings tend to reward close looking at the quality of the mark. About the period around 1656 - 1657: In the Dutch Republic, a prosperous middle-class market supported landscapes, still lifes, portraits, and scenes of daily life painted at a modest scale for the home. In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The catalogue places it in Drawings. The format is portrait.

"Seated Soldier with Shield and Two Other Figures" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

Italian, 1615–1673

If you like the visual language of Salvator Rosa, explore more works by the same artist in our collection.

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