Rue Cortot, à Montmartre (1926)

Ferdinand Boberg is the artist behind "Rue Cortot, à Montmartre", dated 1926. Context for 1926: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Background on Landscape: Painters have used landscape to study light, weather, season, and the relation between people and place. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. The catalogue places it in Landscape. The format is portrait.

Everything for "Rue Cortot, à Montmartre" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

Swedish, 1860–1946

If you like the visual language of Ferdinand Boberg, explore more works by the same artist in our collection.