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Planqués 1914 – marmites, pots de fleurs, pruneaux — Jean Veber

Planqués 1914 – marmites, pots de fleurs, pruneaux (1914)

Jean Veber

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1928)

SPECIFICATIONS

Artist
Jean Veber
Category
Illustration
Year
1914
Nationality / school
French
Lifespan
1864–1928
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Jean Veber is the artist behind "Planqués 1914 – marmites, pots de fleurs, pruneaux", dated 1914. Context for 1914: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. The catalogue places it in Illustration. The format is landscape. Illustration, a short history: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters.

"Planqués 1914 – marmites, pots de fleurs, pruneaux" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

French, 1864–1928

If you like the visual language of Jean Veber, explore more works by the same artist in our collection.

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