Mutter am Bett des toten Kindes (1911)

Käthe Kollwitz is the artist behind "Mutter am Bett des toten Kindes", dated 1911. Drawings in brief: Because line carries so much of the effect, drawings tend to reward close looking at the quality of the mark. Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. About the period around 1911: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The catalogue places it in Drawings. The format is landscape.

Everything for "Mutter am Bett des toten Kindes" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Drawings and sketches stand out through line clarity and a sense of the artist process, which makes them a natural fit for minimalist, monochrome, and graphic interiors. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

German, 1867–1945

If you like the visual language of Käthe Kollwitz, explore more works by the same artist in our collection.