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Mt. Katahdin from Togue Pond — Frederic Edwin Church

Mt. Katahdin from Togue Pond (1878)

Frederic Edwin Church

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1900)

SPECIFICATIONS

Artist
Frederic Edwin Church
Category
Landscape
Year
1878
Nationality / school
American
Lifespan
1826–1900
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Mt. Katahdin from Togue Pond" (1878) is a work by Frederic Edwin Church. Historical background, 1878: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Landscape, a short history: Painters have used landscape to study light, weather, season, and the relation between people and place. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. It is listed in the Landscape collection. The image is in landscape orientation.

Buying "Mt. Katahdin from Togue Pond" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

ABOUT THE ARTIST

American, 1826–1900

If you like the visual language of Frederic Edwin Church, explore more works by the same artist in our collection.

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