

Mountain landscape (Garmisch-Partenkirchen) (1930-1935)
Marsden HartleyFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1943)
SPECIFICATIONS
- Artist
- Marsden Hartley
- Category
- Landscape
- Year
- 1930-1935
- Nationality / school
- American
- Lifespan
- 1877–1943
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Marsden Hartley is the artist behind "Mountain landscape (Garmisch-Partenkirchen)", dated 1930-1935. Historical background, 1930-1935: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. It is listed in the Landscape collection. The image is in portrait orientation. Landscape in brief: The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Painters have used landscape to study light, weather, season, and the relation between people and place.
Everything for "Mountain landscape (Garmisch-Partenkirchen)" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing.
ABOUT THE ARTIST
American, 1877–1943
If you like the visual language of Marsden Hartley, explore more works by the same artist in our collection.






