

Modern decorative art Vol. I Pl.14 (1910)
Paul Wenzel (Publisher)For your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
SPECIFICATIONS
- Artist
- Paul Wenzel (Publisher)
- Category
- Illustration
- Year
- 1910
- Nationality / school
- American
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1910, "Modern decorative art Vol. I Pl.14" is an artwork by Paul Wenzel (Publisher). About the period around 1910: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Illustration, a short history: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. The catalogue places it in Illustration. The format is landscape.
Your purchase of "Modern decorative art Vol. I Pl.14" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
American
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