Martha Temple, Lady Penyston (1619)

"Martha Temple, Lady Penyston" (1619) is a work by Cornelis Jonson van Ceulen. About the period around 1619: In the Dutch Republic, a prosperous middle-class market supported landscapes, still lifes, portraits, and scenes of daily life painted at a modest scale for the home. In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The catalogue places it in Figurative. The format is portrait. Figurative in brief: Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Over the centuries, painters have used the figure to express social standing, narrative, and emotion.

Buying "Martha Temple, Lady Penyston" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Figurative works draw attention to the human presence, the gesture, and the emotional tone, so they work particularly well as a standalone focal point in living rooms, studies, and bedrooms. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

English, 1593–1661

If you like the visual language of Cornelis Jonson van Ceulen, explore more works by the same artist in our collection.