Man of Sorrows (1630 - 1700)

Guido Reni is the artist behind "Man of Sorrows", dated 1630 - 1700. Background on Religion: Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Context for 1630 - 1700: The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders. In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The catalogue places it in Religion. The format is portrait.

Everything for "Man of Sorrows" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Italian, 1575–1642

If you like the visual language of Guido Reni, explore more works by the same artist in our collection.