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Lot Fleeing from Sodom — Benjamin West

Lot Fleeing from Sodom (1810)

Benjamin West

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1820)

SPECIFICATIONS

Artist
Benjamin West
Category
Religion
Year
1810
Nationality / school
American
Lifespan
1738–1820
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Lot Fleeing from Sodom" (1810), created by Benjamin West. Historical background, 1810: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Religion in brief: Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. It is listed in the Religion collection. The image is in landscape orientation.

Buying "Lot Fleeing from Sodom" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. A simple frame with a mat often helps an image settle comfortably into a room. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

American, 1738–1820

If you like the visual language of Benjamin West, explore more works by the same artist in our collection.

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