Skip to main content
ONLLY.art
Lions in a London Square — Esther Blaikie MacKinnon

Lions in a London Square (1884-1934)

Esther Blaikie MacKinnon

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1934)

SPECIFICATIONS

Artist
Esther Blaikie MacKinnon
Category
Landscape
Year
1884-1934
Nationality / school
Scottish
Lifespan
1885–1934
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Lions in a London Square" (1884-1934) is a work by Esther Blaikie MacKinnon. Historical background, 1884-1934: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. It is listed in the Landscape collection. The image is in portrait orientation. Landscape in brief: The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting.

Your purchase of "Lions in a London Square" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Scottish, 1885–1934

If you like the visual language of Esther Blaikie MacKinnon, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

YOU MAY ALSO LIKE