

Les paroles authentiques du Roi-voleur (1915)
Georges d'OstoyaFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1941)
SPECIFICATIONS
- Artist
- Georges d'Ostoya
- Category
- Illustration
- Year
- 1915
- Nationality / school
- Polish
- Lifespan
- 1872–1941
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1915, "Les paroles authentiques du Roi-voleur" is an artwork by Georges d'Ostoya. Context for 1915: Posters, magazines, and illustrated books were major ways for the public to meet new art and design. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. The catalogue places it in Illustration. The format is portrait. Background on Illustration: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters.
Everything for "Les paroles authentiques du Roi-voleur" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
Polish, 1872–1941
If you like the visual language of Georges d'Ostoya, explore more works by the same artist in our collection.






