Le Christ et l'Hémorroïsse (1695)

Louis de Boullogne the Younger is the artist behind "Le Christ et l'Hémorroïsse", dated 1695. Historical background, 1695: In Japan the Edo period began in 1603, and in China the Qing dynasty took power in 1644, both bringing new patrons and styles. The seventeenth century is the age of the Baroque, which favoured dramatic light, movement, and strong emotion in the work of painters in Italy, Spain, and Flanders. Religion in brief: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. The catalogue places it in Religion. The format is portrait.

On onlly.art "Le Christ et l'Hémorroïsse" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1654–1733

If you like the visual language of Louis de Boullogne the Younger, explore more works by the same artist in our collection.