Skip to main content
ONLLY.art
L'auberge des trois corbeaux — James Tissot

L'auberge des trois corbeaux (1877)

James Tissot

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1902)

SPECIFICATIONS

Artist
James Tissot
Category
Illustration
Year
1877
Nationality / school
French
Lifespan
1836–1902
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

James Tissot is the artist behind "L'auberge des trois corbeaux", dated 1877. Background on Illustration: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Historical background, 1877: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The catalogue places it in Illustration. The format is landscape.

Your purchase of "L'auberge des trois corbeaux" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

French, 1836–1902

If you like the visual language of James Tissot, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

YOU MAY ALSO LIKE