

Jechomas, Ancestor of Christ (1550-1585)
Adamo ScultoriFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1585)
SPECIFICATIONS
- Artist
- Adamo Scultori
- Category
- Illustration
- Year
- 1550-1585
- Nationality / school
- Italian
- Lifespan
- 1530–1585
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
"Jechomas, Ancestor of Christ" (1550-1585) is a work by Adamo Scultori. About the period around 1550-1585: The sixteenth century includes the High Renaissance in Italy, the Mannerist generation that followed it, and the Northern Renaissance of artists such as Dürer, Holbein, and Bruegel. Elsewhere, the Mughal court in India developed a distinctive tradition of miniature painting, and printed images continued to travel widely between countries. It is listed in the Illustration collection. The image is in portrait orientation. Illustration, a short history: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked.
"Jechomas, Ancestor of Christ" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.
ABOUT THE ARTIST
Italian, 1530–1585
If you like the visual language of Adamo Scultori, explore more works by the same artist in our collection.






