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Illustrations by Aubrey Beardsley for King Arthur Pl.04 — Aubrey Vincent Beardsley

Illustrations by Aubrey Beardsley for King Arthur Pl.04 (1893-1894)

Aubrey Vincent Beardsley

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1898)

SPECIFICATIONS

Artist
Aubrey Vincent Beardsley
Category
Illustration
Year
1893-1894
Nationality / school
English
Lifespan
1872–1898
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Illustrations by Aubrey Beardsley for King Arthur Pl.04" (1893-1894) is a work by Aubrey Vincent Beardsley. About the period around 1893-1894: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. The catalogue places it in Illustration. The format is portrait. Background on Illustration: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters.

Everything for "Illustrations by Aubrey Beardsley for King Arthur Pl.04" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

English, 1872–1898

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