Femme allongée (1928)

Emile Othon Friesz is the artist behind "Femme allongée", dated 1928. Figurative in brief: Over the centuries, painters have used the figure to express social standing, narrative, and emotion. Portraits, group scenes, studies of the nude, and pictures of daily life all belong to figurative art. Context for 1928: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. It is listed in the Figurative collection. The image is in landscape orientation.

Buying "Femme allongée" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1879–1949

If you like the visual language of Emile Othon Friesz, explore more works by the same artist in our collection.