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Eight Figural Views (Sugata Hakkei) Pl.5 — Utagawa Kunisada (Toyokuni III)

Eight Figural Views (Sugata Hakkei) Pl.5 (1850)

Utagawa Kunisada (Toyokuni III)

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1865)

SPECIFICATIONS

Artist
Utagawa Kunisada (Toyokuni III)
Category
Illustration
Year
1850
Nationality / school
Japanese
Lifespan
1786–1865
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

"Eight Figural Views (Sugata Hakkei) Pl.5" (1850) is a work by Utagawa Kunisada (Toyokuni III). About the period around 1850: The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. Illustration, a short history: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. The catalogue places it in Illustration. The format is landscape.

Your purchase of "Eight Figural Views (Sugata Hakkei) Pl.5" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

Japanese, 1786–1865

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