

Dogs on the Hearth no. 1 (1887)
Julian Alden WeirFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1919)
SPECIFICATIONS
- Artist
- Julian Alden Weir
- Category
- Illustration
- Year
- 1887
- Nationality / school
- American
- Lifespan
- 1852–1919
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Julian Alden Weir is the artist behind "Dogs on the Hearth no. 1", dated 1887. It is listed in the Illustration collection. The image is in landscape orientation. Illustration in brief: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. About the period around 1887: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do.
Buying "Dogs on the Hearth no. 1" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
American, 1852–1919
If you like the visual language of Julian Alden Weir, explore more works by the same artist in our collection.






