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Die Stimme des Bösen oder Melancholie, Tondo — Georges de Feure

Die Stimme des Bösen oder Melancholie, Tondo (1895)

Georges de Feure

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1943)

SPECIFICATIONS

Artist
Georges de Feure
Category
Illustration
Year
1895
Nationality / school
French
Lifespan
1868–1943
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Georges de Feure is the artist behind "Die Stimme des Bösen oder Melancholie, Tondo", dated 1895. About the period around 1895: In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. It is listed in the Illustration collection. The image is in portrait orientation. Illustration in brief: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters.

Buying "Die Stimme des Bösen oder Melancholie, Tondo" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

French, 1868–1943

If you like the visual language of Georges de Feure, explore more works by the same artist in our collection.

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