

Death Camas (Zygadenus venenosus) (1923)
Mary Vaux WalcottFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1940)
SPECIFICATIONS
- Artist
- Mary Vaux Walcott
- Category
- Plants & Animals
- Year
- 1923
- Nationality / school
- American
- Lifespan
- 1860–1940
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
This page presents "Death Camas (Zygadenus venenosus)" (1923), created by Mary Vaux Walcott. The catalogue places it in Plants & Animals. The format is portrait. Plants & Animals, a short history: Naturalists and artists often worked together, especially on voyages and in published surveys of flora and fauna. Images of plants and animals are valued both for the care of their observation and for their decorative appeal. About the period around 1923: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other.
Buying "Death Camas (Zygadenus venenosus)" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
American, 1860–1940
If you like the visual language of Mary Vaux Walcott, explore more works by the same artist in our collection.






