

Cradle carved in boxwood (1851 - 1853)
Matthew Digby WyattFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1877)
SPECIFICATIONS
- Artist
- Matthew Digby Wyatt
- Category
- Illustration
- Year
- 1851 - 1853
- Nationality / school
- English
- Lifespan
- 1820–1877
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Matthew Digby Wyatt is the artist behind "Cradle carved in boxwood", dated 1851 - 1853. The catalogue places it in Illustration. The format is landscape. Background on Illustration: The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. About the period around 1851 - 1853: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The invention of lithography around 1796 and its spread in these decades made printed images cheaper and more varied.
Everything for "Cradle carved in boxwood" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
English, 1820–1877
If you like the visual language of Matthew Digby Wyatt, explore more works by the same artist in our collection.






