Cèdres du Liban destinés a la construction du temple (1866)

This page presents "Cèdres du Liban destinés a la construction du temple" (1866), created by Gustave Doré. Religion in brief: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Buddhist painting, Hindu devotional imagery, and Islamic calligraphy and ornament each have conventions of their own. Historical background, 1866: Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. The catalogue places it in Religion. The format is portrait.

"Cèdres du Liban destinés a la construction du temple" is offered as a printable file (Digital JPEG + PDF files, 300 DPI) rather than a shipped item. You receive the files by email after payment and handle printing yourself, which gives you full control over paper, size, and finish. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. Measuring the wall before choosing a size is the simplest way to avoid a print that feels too small or too large. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

French, 1832–1883

If you like the visual language of Gustave Doré, explore more works by the same artist in our collection.