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Broomrape (Orobanche fasciculata) — Mary Vaux Walcott

Broomrape (Orobanche fasciculata) (1933)

Mary Vaux Walcott

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1940)

SPECIFICATIONS

Artist
Mary Vaux Walcott
Category
Plants & Animals
Year
1933
Nationality / school
American
Lifespan
1860–1940
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

This page presents "Broomrape (Orobanche fasciculata)" (1933), created by Mary Vaux Walcott. About the period around 1933: Posters, magazines, and illustrated books were major ways for the public to meet new art and design. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The catalogue places it in Plants & Animals. The format is portrait. Plants & Animals in brief: Images of plants and animals are valued both for the care of their observation and for their decorative appeal. Images of plants and animals run from medieval herbals and bestiaries to the scientific illustration of the seventeenth to nineteenth centuries.

Everything for "Broomrape (Orobanche fasciculata)" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Flora and fauna subjects make an interior feel softer and more alive, adding a natural rhythm that works well in both traditional and contemporary spaces. Matching the frame to the image proportions avoids cropping. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size.

ABOUT THE ARTIST

American, 1860–1940

If you like the visual language of Mary Vaux Walcott, explore more works by the same artist in our collection.

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