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Aux bains de mer d'Ostende Pl.23 — Mars (Maurice Bonvoisin)

Aux bains de mer d'Ostende Pl.23 (1885)

Mars (Maurice Bonvoisin)

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1912)

SPECIFICATIONS

Artist
Mars (Maurice Bonvoisin)
Category
Illustration
Year
1885
Nationality / school
Belgian
Lifespan
1849–1912
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Mars (Maurice Bonvoisin) is the artist behind "Aux bains de mer d'Ostende Pl.23", dated 1885. Context for 1885: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. In the 1890s, colour lithography and Art Nouveau made the illustrated poster a celebrated art form. Illustration, a short history: Illustration serves a text or a story, a tradition that runs from decorated medieval manuscripts to printed book plates, magazines, and posters. Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The catalogue places it in Illustration. The format is portrait.

Buying "Aux bains de mer d'Ostende Pl.23" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. A simple frame with a mat often helps an image settle comfortably into a room. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

ABOUT THE ARTIST

Belgian, 1849–1912

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