

Au temps que Nanette était perdue pl. 4 (1931)
Léon SpilliaertFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1946)
SPECIFICATIONS
- Artist
- Léon Spilliaert
- Category
- Landscape
- Year
- 1931
- Nationality / school
- Belgian
- Lifespan
- 1881–1946
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Dated 1931, "Au temps que Nanette était perdue pl. 4" is an artwork by Léon Spilliaert. About the period around 1931: Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Landscape in brief: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. The catalogue places it in Landscape. The format is portrait.
On onlly.art "Au temps que Nanette était perdue pl. 4" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
Belgian, 1881–1946
If you like the visual language of Léon Spilliaert, explore more works by the same artist in our collection.






