

Approach to Belle Grange Park (1789)
John Warwick SmithFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1831)
SPECIFICATIONS
- Artist
- John Warwick Smith
- Category
- Landscape
- Year
- 1789
- Nationality / school
- English
- Lifespan
- 1749–1831
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
John Warwick Smith is the artist behind "Approach to Belle Grange Park", dated 1789. It is listed in the Landscape collection. The image is in landscape orientation. Background on Landscape: The invention of paint in tubes in the 1840s made it easier to work outdoors, and landscape became a main subject of Romanticism, Realism, and Impressionism. Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Context for 1789: In Japan, ukiyo-e woodblock printing flourished in the Edo period and made colour prints a popular and affordable art form. The eighteenth century began with the light, ornamental Rococo, especially in France, and moved towards the clarity and antique references of Neoclassicism by the end of the century.
Your purchase of "Approach to Belle Grange Park" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Hang the print away from direct sunlight, which over the years can fade any printed colour. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
English, 1749–1831
If you like the visual language of John Warwick Smith, explore more works by the same artist in our collection.






