Allegorical caprice. The Avarice (1852)

Eugenio Lucas Velázquez is the artist behind "Allegorical caprice. The Avarice", dated 1852. Context for 1852: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Mythology, a short history: Mythological painting draws on stories from Greek and Roman myth, and on other traditions such as Norse, Celtic, and Hindu narrative. In European academies, history and mythological subjects ranked highest among painting genres, so they often appear on a large scale and with ambitious compositions. The catalogue places it in Mythology. The format is portrait.

On onlly.art "Allegorical caprice. The Avarice" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Hang the print away from direct sunlight, which over the years can fade any printed colour.

Spanish, 1817–1870

If you like the visual language of Eugenio Lucas Velázquez, explore more works by the same artist in our collection.