

Ali Baba und die vierzig Räuber Pl.15 (1903)
Max SlevogtFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1932)
SPECIFICATIONS
- Artist
- Max Slevogt
- Category
- Drawings
- Year
- 1903
- Nationality / school
- German
- Lifespan
- 1868–1932
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Dated 1903, "Ali Baba und die vierzig Räuber Pl.15" is an artwork by Max Slevogt. Context for 1903: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Drawings in brief: Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. Drawings range from quick preparatory sketches to finished works in pen, chalk, charcoal, graphite, or wash. It is listed in the Drawings collection. The image is in portrait orientation.
Everything for "Ali Baba und die vierzig Räuber Pl.15" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
German, 1868–1932
If you like the visual language of Max Slevogt, explore more works by the same artist in our collection.






