

Alexander Ceding Campaspe to Apelles (1819)
Jerome-Martin LangloisFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1838)
SPECIFICATIONS
- Artist
- Jerome-Martin Langlois
- Category
- Drawings
- Year
- 1819
- Nationality / school
- French
- Lifespan
- 1779–1838
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
HELPFUL LINKS
ABOUT THE ARTWORK
Jerome-Martin Langlois is the artist behind "Alexander Ceding Campaspe to Apelles", dated 1819. About the period around 1819: The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting. Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. Drawings in brief: Artists have long used drawings to plan paintings, sculptures, and buildings, so a sketch can show how an idea developed. Drawings range from quick preparatory sketches to finished works in pen, chalk, charcoal, graphite, or wash. The catalogue places it in Drawings. The format is landscape.
Buying "Alexander Ceding Campaspe to Apelles" means getting a digital file, not a physical print: Digital JPEG + PDF files, 300 DPI, delivered by email once payment is confirmed. A 300 DPI file is intended for printing at home or at a local print shop, where you can choose a matte, satin, or fine-art paper to suit the room. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. A simple frame with a mat often helps an image settle comfortably into a room. Hang the print away from direct sunlight, which over the years can fade any printed colour. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.
ABOUT THE ARTIST
French, 1779–1838
If you like the visual language of Jerome-Martin Langlois, explore more works by the same artist in our collection.






