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A Lock On The Thames, Streatley — Benjamin Williams Leader

A Lock On The Thames, Streatley (1898)

Benjamin Williams Leader

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

Provenance / Rights

Rights
Public domain (artist died 1923)

SPECIFICATIONS

Artist
Benjamin Williams Leader
Category
Landscape
Year
1898
Nationality / school
English
Lifespan
1831–1923
Orientation
Landscape
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Benjamin Williams Leader is the artist behind "A Lock On The Thames, Streatley", dated 1898. Landscape in brief: Landscape became an independent genre in European painting in the sixteenth and seventeenth centuries, while in East Asia it had long been central to ink painting. Painters have used landscape to study light, weather, season, and the relation between people and place. Historical background, 1898: The later nineteenth century is the era of Impressionism, whose first group exhibition was held in Paris in 1874, followed by Post-Impressionism, Symbolism, and the Arts and Crafts movement. Japanese prints reached Europe in large numbers and influenced many artists, while photography changed what painting needed to do. The catalogue places it in Landscape. The format is landscape.

On onlly.art "A Lock On The Thames, Streatley" is sold as a digital download (Digital JPEG + PDF files, 300 DPI). The files are delivered by email after payment, so nothing is shipped: you print locally, choosing the paper, size, and frame yourself. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Landscape scenes add depth and a sense of air to the room, helping the space feel more open and working especially well above a sofa, console, or desk. Before printing, compare the proportions of the file with your frame so that nothing important is cropped. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.

ABOUT THE ARTIST

English, 1831–1923

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