

The Destruction of Pharaoh's Host (1836)
John MartinFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1854)
SPECIFICATIONS
- Artist
- John Martin
- Category
- Religion
- Year
- 1836
- Nationality / school
- English
- Lifespan
- 1789–1854
- Orientation
- Landscape
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Dated 1836, "The Destruction of Pharaoh's Host" is an artwork by John Martin. It is listed in the Religion collection. The image is in landscape orientation. Religion in brief: Religious painting is among the largest bodies of art ever made, from altarpieces, icons, and illuminated manuscripts to devotional prints. Christian art follows long-established iconography, such as the Madonna and Child, the Annunciation, and the Crucifixion. Historical background, 1836: Landscape gained new prestige through groups such as the Barbizon painters in France and the Hudson River School in the United States, and by mid-century Realism turned to ordinary people and everyday labour. The first half of the nineteenth century moved from Neoclassicism to Romanticism, which placed emotion, nature, and the sublime at the centre of painting.
Your purchase of "The Destruction of Pharaoh's Host" on onlly.art is a digital download: Digital JPEG + PDF files, 300 DPI. After payment the download link arrives by email, and you can send the files to any print service you trust. A landscape format suits wide, low wall spaces such as the stretch above a bed, mantel, or sideboard. Religious subjects rely on symbolism, gesture, and layered painterly drama, so they tend to read best in calm and composed interiors. If you are unsure about size, measure the wall first, then pick a frame whose proportions follow the image. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
English, 1789–1854
If you like the visual language of John Martin, explore more works by the same artist in our collection.






