

Nature morte aux figues et soleils (1929)
Emile BernardFor your project
- Source and licence confirmed before use
- Print-ready master at your wall size
- Adapted to your format and palette on request
Provenance / Rights
- Rights
- Public domain (artist died 1941)
SPECIFICATIONS
- Artist
- Emile Bernard
- Category
- Still Life
- Year
- 1929
- Nationality / school
- French
- Lifespan
- 1868–1941
- Orientation
- Portrait
- Material
- Digital JPEG + PDF files
- Available sizes
- Print-ready master at your wall size, on request
ABOUT THE ARTWORK
Dated 1929, "Nature morte aux figues et soleils" is an artwork by Emile Bernard. Historical background, 1929: The first decades of the twentieth century were a period of rapid experiment, with Fauvism, Expressionism, Cubism, Futurism, and the first abstract painting appearing within a few years of each other. Dada and Surrealism followed the First World War, the Bauhaus school was founded in 1919, and Art Deco became the fashionable decorative style of the 1920s and 1930s. Background on Still Life: Still life, the arrangement of flowers, fruit, tableware, and other objects, became a distinct genre in the Netherlands and Spain in the sixteenth and seventeenth centuries. Dutch vanitas paintings used objects such as skulls, candles, and wilting flowers to remind viewers that time passes. It is listed in the Still Life collection. The image is in portrait orientation.
Everything for "Nature morte aux figues et soleils" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Matching the frame to the image proportions avoids cropping. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks. Hang the print away from direct sunlight, which over the years can fade any printed colour.
ABOUT THE ARTIST
French, 1868–1941
If you like the visual language of Emile Bernard, explore more works by the same artist in our collection.






