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Getting to Know the British West Indies pl9 — Shannon Stirnweis

Getting to Know the British West Indies pl9 (1962)

Shannon Stirnweis

For your project

  • Source and licence confirmed before use
  • Print-ready master at your wall size
  • Adapted to your format and palette on request

SPECIFICATIONS

Artist
Shannon Stirnweis
Category
Illustration
Year
1962
Nationality / school
American
Lifespan
1931–2019
Orientation
Portrait
Material
Digital JPEG + PDF files
Available sizes
Print-ready master at your wall size, on request

ABOUT THE ARTWORK

Dated 1962, "Getting to Know the British West Indies pl9" is an artwork by Shannon Stirnweis. The catalogue places it in Illustration. The format is portrait. Illustration in brief: Printing methods such as woodcut, engraving, lithography, and photomechanical reproduction each shaped how illustrators worked. The late nineteenth and early twentieth centuries are often described as a golden age of book and magazine illustration. Context for 1962: After 1945 the centre of Western art activity shifted to New York, where Abstract Expressionism was followed by Pop art, Minimalism, and Conceptual art. The range of materials widened to include acrylic paint, screen printing, and mixed media.

Everything for "Getting to Know the British West Indies pl9" arrives digitally: Digital JPEG + PDF files, 300 DPI. Once payment is confirmed, an email brings the download link, and from there you decide how to print it, whether at home, at a print shop, or through an online service. A portrait format suits narrow wall spaces, hallways, and the area beside a door or window. Illustrative graphics are valued for their decorative line work and narrative quality, which makes them a strong fit for gallery walls, kids rooms, studies, and more intimate interiors. Matching the frame to the image proportions avoids cropping. Choosing a standard frame size and printing to fit it often saves the cost of custom framing. Screens and printers render colour differently, so a small test print is a sensible way to check tones before committing to a large size. Matte and fine-art papers reduce glare in bright rooms, while glossy papers give stronger contrast and deeper blacks.

ABOUT THE ARTIST

American, 1931–2019

If you like the visual language of Shannon Stirnweis, explore more works by the same artist in our collection.

MORE WORKS BY THIS ARTIST

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